Comrades-in-Arms

ENSEMBLE: Jessica Richmond, Valerie McCann, Julia Garcia Combs, Scott Thewes, Jonathan Green, Nadja Bobyleva, Diana Wyenn, Estela Garcia, Felicity Doyle, Heather Rush, Penny Folger, Kris Bicknell, Jesse Parce, Katira Alvarez, Cecilia De Rico, Tara Strand and friends.

COLLABORATORS: Director:Olya Petrakova ^ Essential Collaborator:Bryan Brown^ Assistant Director: Jessica L. Richmond ^ Scribe: Cecilia De Rico ^ Producers: Olya Petrakova, Bryan Brown and Don Cesario ^ Music: Ensemble ^ Songs: Jef Bek, Olya Petrakova, Nadja Bobyleva, Scott Thewes ^ Art Installations, Objects, Props, Ephemera, Readymades, Assemblages: Ensemble, Julian Rozzell Jr, Hannah Manfredi ^ Set:Joel Daavid ^ Choreography:Olya Petrakova, Teresa Anne Volgenau, Yuri Nelzine ^ Movement: Mitchel Evans ^ Costumes:Ensemble, Olya Petrakova & Nataya Designs ^ Lights:Matt Richter ^ Stage Manager: Marie Turcotte Hills ^ Musical Co-conspirators: Monsieur Incroyable ^ Graphic Art: Ivan Gulkov ^ Photo Art: Taso Papadakis

KHARMFUL CHARMS to play San Diego

A riotous 5 week run in Hollywood was not enough! A serving of Kharmful ARTELians has been ordered in San Diego!

Honoring the writing of Daniil Kharms with a dash of Monty Python, a pinch of Waiting for Godot, and a heaping spoonful of American Russian devised mayhem,

Kharmful Charms of Daniil Kharms
will perform Friday March 26th & Saturday March 27th @ SUSHI PERFORMANCE & VISUAL ART.

Come partake at
www.sushiart.org

"Simultaneously disorienting and comforting..."

A humble thank you to K. Primeau for upholding the job of reviewer! Far too often LA Theatre critics feel that a précis of the literary aspect of a theatrical event suffices as a job well done. It's an honor to have our work so well articulated and to see the noble role of critic is still preserved in some minds of the world.



http://www.latheatrereview.com/2010/03/11/kharmful-charms-of-daniil-kharms-at-art-works/?utm_source=rss&utm_medium=rss&utm_campaign=kharmful-charms-of-daniil-kharms-at-art-works

Production Stills By Taso Papadakis